Do Clay Fish Dream of Wool Cats? (2025)
Stop motion Animation/ 2’01’’/ Indie Work
Synopsis
Do Clay Fish Dream of Wool Cats? is a stop-motion animation about a clumsy cat who dreams of being a great chef, causing hilarious cooking disasters until it wakes up and realizes it was all just a dream.
Inspiration
It was inspired by the anxiety and chaos I experienced during my first semester in the United States while learning to cook on my own, and the feeling of wishing it was all just a dream.
Context
This project was created as my final project.
I built my puppet in a puppet fabrication course and independently completed all props, filming, and post-production, including compositing, editing, and sound design, within the final week.
Do Clay Fish Dream of Wool Cats? is a stop-motion animation about a clumsy cat who dreams of being a great chef, causing hilarious cooking disasters until it wakes up and realizes it was all just a dream.
Inspiration
It was inspired by the anxiety and chaos I experienced during my first semester in the United States while learning to cook on my own, and the feeling of wishing it was all just a dream.
Context
This project was created as my final project.
I built my puppet in a puppet fabrication course and independently completed all props, filming, and post-production, including compositing, editing, and sound design, within the final week.
Fabrication
Armature constructed with wire, Propoxy, hard foam, and soft foam.
The puppet surface is made of needle-felted wool, and the costume was hand-sewn.
From initial design to final fabrication, this project was a process full of new experiences for me. It was my first time working with professional puppet-making materials such as ProPoxy, cohesive wrap, as well as a variety of adhesives and foam. I also learned how to sew for the first time, transforming a simple piece of fabric into a small set of loungewear for the puppet. Seeing the costume come together and fit the character was especially rewarding.
Armature constructed with wire, Propoxy, hard foam, and soft foam.
The puppet surface is made of needle-felted wool, and the costume was hand-sewn.
From initial design to final fabrication, this project was a process full of new experiences for me. It was my first time working with professional puppet-making materials such as ProPoxy, cohesive wrap, as well as a variety of adhesives and foam. I also learned how to sew for the first time, transforming a simple piece of fabric into a small set of loungewear for the puppet. Seeing the costume come together and fit the character was especially rewarding.
Props were constructed using cardboard,
air-dry clay, wooden pieces, plastic sheets, and foam board, and painted with acrylic.
The ending sequence features clay animation, shot using the downshooter for precise top-down control.
Fire and smoke effects were achieved through cut-out animation, filmed independently, and developed into seamless loops in After Effects.
After organizing and grouping the shots by sequence, I was able to complete all filming within three days.